Course Unit Code | Course Unit Title | Type of Course Unit | Year of Study | Semester | Number of ECTS Credits | 190301507102 | CONTEMPORARY ENGLISH POETRY | Compulsory | 4 | 7 | 5 |
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Level of Course Unit |
First Cycle |
Objectives of the Course |
The course aims to offer a comprehensive knowledge of the 20th C. British literature from the Modernist poetry to the present and to illustrate this knowledge through a study of works representative of the literary achievements of the age. |
Name of Lecturer(s) |
Dr. Öğrt. Üye. Sevda Ayva |
Learning Outcomes |
1 | The students will be able to explain the changes and movements in English poetry starting from the Modernist movement till recent representatives. The students will be able to examine and explain the contributions of poets such as T.S. Eliot, Ted Hughes and Seamus Heaney to English poetry by comparing them with previous periods. Reads and interprets contemporary English poetry, recognizing and identifying changes in this field. Understands that contemporary English poetry is diverse and multinational. |
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Mode of Delivery |
Daytime Class |
Prerequisites and co-requisities |
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Recommended Optional Programme Components |
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Course Contents |
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Weekly Detailed Course Contents |
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1 | Introduction; Early 20th C. English History and Politics. | | | 2 | The Modernist movement in poetry. | | | 3 | T.S.Eliot “The Love Song of J. Alfred Prufrock,” The Waste Land, I. “The Burial of the Dead,” | | | 4 | D.H. Lawrence “Snake,” “Piano,” “Bavarian Gentians,” | | | 5 | W.B.Yeats “Sailing to Byzantium,” “The Wild Swans at Coole” | | | 6 | S.Smith “Is it Wise”, “Not Waving but Drowning”, L.Mac Neice “Bagpipe Music,” | | | 7 | The Thirties: The Oxford School of Political Poetry; W.H.Auden “Petition,” “On This Land,” | | | 8 | The Forties:Neo-Romanticism; Dylan Thomas “The Force that Through the Green Fuse Drives the Flower,” “Do not Go Gentle into That Good Night,” | | | 9 | The Fifties: The Movement Poets; P. Larkin “Lines on a Young Lady’s Photograph Album,” “Church Going,” | | | 10 | The Sixties and Seventies: Nature poetry: Ted Hughes ““Wind”,” “Thought-Fox”, “Relic” S.Heaney “Digging”, “Death of a Naturalist” | | | 11 | Poetry of the 1980s and 1990s: Paul Durcan, “Poem Not Beginning with a Line by Pindar”, Simon Armitage “Very Simply Topping Up the Brake Fluid” from Zoom!” | | | 12 | Postmodern Poetry: Ian MacMillan “Ted Hughes is Elvis Presley,” | | | 13 | Carol Ann Duffy “Eurydice”
Black Women poetry: Jackie Kay “So You Think I’m a Mule?” | | | 14 | General revision and final examination | | |
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Recommended or Required Reading |
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Planned Learning Activities and Teaching Methods |
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Assessment Methods and Criteria | |
Project Presentation | 1 | 100 | SUM | 100 | |
Final Examination | 1 | 60 | Writing Paper | 1 | 40 | SUM | 100 | Term (or Year) Learning Activities | 60 | End Of Term (or Year) Learning Activities | 40 | SUM | 100 |
| Language of Instruction | English | Work Placement(s) | |
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Workload Calculation |
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Final Examination | 1 | 3 | 3 |
Discussion | 14 | 3 | 42 |
Question-Answer | 14 | 3 | 42 |
Project Preparation | 1 | 4 | 4 |
Project Presentation | 1 | 3 | 3 |
Project Design/Management | 1 | 4 | 4 |
Reading | 14 | 3 | 42 |
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Contribution of Learning Outcomes to Programme Outcomes |
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* Contribution Level : 1 Very low 2 Low 3 Medium 4 High 5 Very High |
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Iğdır University, Iğdır / TURKEY • Tel (pbx): +90 476
226 13 14 • e-mail: info@igdir.edu.tr
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