Description of Individual Course Units
Course Unit CodeCourse Unit TitleType of Course UnitYear of StudySemesterNumber of ECTS Credits
190301506103LITERARY THEORIES IICompulsory365
Level of Course Unit
First Cycle
Objectives of the Course
This course aims to provide students with a comprehensive understanding of literary criticism and theory from the Romantic period to contemporary approaches.
Name of Lecturer(s)
Dr. Öğr. Üyesi Özden DERE
Learning Outcomes
1Identify and Describe Theoretical Frameworks: Recognize key literary theories and schools of thought, and explain their historical development and significance in literary criticism.
2Critically Analyze Literary Texts: Apply various theoretical lenses to deconstruct and interpret literary works, evaluating both form and content.
3Evaluate Cultural and Historical Contexts: Assess how cultural, social, and historical factors influence literary production and reception, integrating these perspectives into analysis.
4Develop Coherent Interpretations: Construct well-reasoned, evidence-based interpretations of texts that reflect an understanding of multiple critical perspectives.
5Engage in Comparative Analysis: Compare and contrast different critical approaches, highlighting their strengths, limitations, and areas of convergence.
6Communicate Analytically: Present complex ideas clearly and persuasively through written and oral communication, using appropriate theoretical terminology.
Mode of Delivery
Daytime Class
Prerequisites and co-requisities
NA
Recommended Optional Programme Components
Course Contents
Through close readings of primary texts and critical essays, students will engage with various theoretical frameworks and methodologies, enabling them to analyse and interpret literature within its historical, cultural, and theoretical contexts.
Weekly Detailed Course Contents
WeekTheoreticalPracticeLaboratory
1Introduction to Literary Analysis History of Literary Analysis Types of Literary AnalysisLecture, Q&A, discussion
2Formalism and New Criticism: o Literary Criticism Text: Cleanth Brooks - "The Formalist Critics" o Literary Text: "The Love Song of J. Alfred Prufrock" by T.S. EliotLecture, Q&A, discussion
3Russian Formalism and Structuralism: o Literary Criticism Text: Viktor Shklovsky - "Art as Technique" o Literary Text: "The Overcoat" by Nikolai GogolLecture, Q&A, discussion
4Psychoanalytic Criticism: o Literary Criticism Text: Sigmund Freud - "The Interpretation of Dreams" o Literary Text: Wuthering Heights by Emily BrontëLecture, Q&A, discussion
5Marxist Criticism: o Literary Criticism Text: Karl Marx - "The Communist Manifesto" o Literary Text: Hard Times by Charles DickensLecture, Q&A, discussion
6Midterm exam or paper
7Feminist Criticism: o Literary Criticism Text: Simone de Beauvoir - "The Second Sex" o Literary Text: The Awakening by Kate ChopinLecture, Q&A, discussion
8Postcolonial Criticism: o Literary Criticism Text: Edward Said - "Orientalism" o Literary Text: Things Fall Apart by Chinua AchebeLecture, Q&A, discussion
9Cultural Studies: o Literary Criticism Text: Stuart Hall - "Encoding/Decoding" o Literary Text: White Teeth by Zadie SmithLecture, Q&A, discussion
10Literary Theory in the Digital Age: o Literary Criticism Text: N. Katherine Hayles - "How We Became Posthuman" o Literary Text: Neuromancer by William GibsonLecture, Q&A, discussion
11Interactive Presentations & Discussion Forums Activity: Student-led presentations on selected literary theories and criticism approaches. Engagement: online discussion forums or in-class debates to critically analyze the presentations.
12Collaborative Group Projects & Workshops Activity: Divide students into groups to collaboratively analyze a chosen literary text using multiple theoretical frameworks. Workshop: Utilize digital tools (e.g., shared documents, virtual whiteboards) to synthesize findings.
13Role-Playing Simulations & Creative Integration Activity: Conduct role-playing exercises or simulations where students represent different critical perspectives in a debate or scenario. Creative Task: Have students produce a creative project (e.g., a multimedia presentation, short video, or written narrative) that integrates multiple theoretical insights.
14Final exam or paper
Recommended or Required Reading
Cleanth Brooks - "The Formalist Critics" • Viktor Shklovsky - "Art as Technique" • Sigmund Freud - "The Interpretation of Dreams" • Jacques Lacan - "The Mirror Stage" • Karl Marx - "The Communist Manifesto" • Simone de Beauvoir - "The Second Sex" • Edward Said - "Orientalism" • Gayatri Chakravorty Spivak - "Can the Subaltern Speak?" • Stuart Hall - "Encoding/Decoding" • Judith Butler - "Gender Trouble" • Donna Haraway - "A Cyborg Manifesto" • Lawrence Buell - "The Environmental Imagination" • N. Katherine Hayles - "How We Became Posthuman"
Planned Learning Activities and Teaching Methods
Assessment Methods and Criteria
Term (or Year) Learning ActivitiesQuantityWeight
Midterm Examination120
Attending Lectures110
Team/Group Work110
Project Presentation110
Role Play/Dramatization110
Writing Paper110
Individual Study for Mid term Examination15
Reading15
Performance110
Homework110
SUM100
End Of Term (or Year) Learning ActivitiesQuantityWeight
Final Examination230
Project Presentation120
Writing Paper130
Individual Study for Final Examination120
SUM100
Term (or Year) Learning Activities70
End Of Term (or Year) Learning Activities30
SUM100
Language of Instruction
Work Placement(s)
Workload Calculation
ActivitiesNumberTime (hours)Total Work Load (hours)
Midterm Examination111
Final Examination14040
Attending Lectures177
Discussion177
Brain Storming177
Project Presentation177
Role Play/Dramatization111
Writing Paper12020
Individual Study for Mid term Examination12020
Reading12020
Homework12020
TOTAL WORKLOAD (hours)150
Contribution of Learning Outcomes to Programme Outcomes
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LO15               
LO25               
LO35               
LO45               
LO55               
LO65               
* Contribution Level : 1 Very low 2 Low 3 Medium 4 High 5 Very High
 
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