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Description of Individual Course UnitsCourse Unit Code | Course Unit Title | Type of Course Unit | Year of Study | Semester | Number of ECTS Credits | 200800303110 | TURKISH FOLK MUSIC I | Compulsory | 2 | 3 | 2 |
| Level of Course Unit | First Cycle | Objectives of the Course | It is the student's learning, developing and perceiving Turkish Folk Music both theoretically and practically. | Name of Lecturer(s) | Arş. Gör. Hüseyin GÜNEY | Learning Outcomes | 1 | Will be able to explain the basic concepts that fall into the theoretical knowledge of Traditional Turkish Folk Music. a. Explain the concept of Traditional Turkish Folk Music b. Explains the concept of locality, locality, locality c. Defines the Concept of Procedure d. Explain the concepts of attitude and style e. Explains the concepts of foot, maqam and scale.
2 Will be able to explain the concepts used in Turkish Folk Music terminology.
3 Examines Traditional Turkish Folk Music in the historical process a. Turkish Folk Music Period before Islam b. Turkish Folk Music Period after the adoption of Islam c. Turkish Folk Music Period after the proclamation of the Republic
4 Examines the traditional Turkish Folk Music genres a. Uzun Havas and Its Types b. Broken Havas and Its Types 1. Broken Weathers with Game 2. Broken Weathers Without Games
5 Examines Turkish Folk Music Methods a. Main Procedures and types b. Compound Methods and Varieties c. Mixed Methods and Types
6 will be able to examine Turkish Folk Literature and Minstrelsy Tradition. |
| Mode of Delivery | Daytime Class | Prerequisites and co-requisities | The student is expected to be able to read notes. | Recommended Optional Programme Components | Öğrencinin Türk Halk Müziği enstrümanlarından herhangi birini çalmasının Türk Halk Müziği ezgilerini daha kolay algılamasını sağlayacağı düşünüldüğünden, temel anlamda bir çalgı öğrenimi önerilebilir. | Course Contents | Definition and general features of Turkish Folk Music, the general character of Turkish Folk Music and the areas it spread, the sources of Turkish Folk Music and the subjects it deals with.
2 Definition and general characteristics of Turkish Folk Music, the general character of Turkish Folk Music and the areas it spread, the sources of Turkish Folk Music and the subjects it deals with.
3 Definition of Turkish and its history, performing sample ballads in simple style
4 Dictation exercises in 2/4 tempo and quatrain notes, sample folk songs vocalizations
5 Introduction to the parts of Turkish Folk Music, the definition of Uzun Hava and an overview of its types
6 Theoretical information about “bozlak and maya”, which are long air types, vocalization of sample long airs, dictation exercises in 2/4 tempo, theoretical information about “hoyrat and expatriate air” from Uzun hava types, and vocalization of sample long airs.
7 Theoretical information about "divan and lament", which are long air types, and vocalization of sample long airs, Dictation practice, theoretical information about "muszad and tecnis", which is one of the long air types, and vocalization of sample long airs.
8 Theoretical information and examples about “barak and road air”, which are long types of air, dictation exercises in simple style, dictation practices and examples in 3/4 and 4/4 procedural patterns
9 Definition of Uzun Hava and Broken Hava and an overview of its types, A general summary of Uzun Hava types and sample folk songs for Uzun Hava types from different regions
10 Introduction to the non-game types of broken air, theoretical information about "lament, divan, tatyan and breath" and sample songs
11 Theoretical information and sample ballads about "Beautiful, Yigitleme, Epic and Mutual Folksongs" which are among the types of Kırık air. dictation exercises
12 Theoretical information and sample songs about “Henna folk songs, Business folk songs and heroic folk songs”, which are the non-gaming types of Kırık Havas.
13 Theoretical information and sample songs about “lullaby and lullaby” from Kırık Hava genres
14 Theoretical information and sample ballads, dictation exercises about “Halay and Bar”, one of the play types of Kırık hava. | Weekly Detailed Course Contents | |
1 | The definition of Turkish Folk Music has been made. Approaches on the foundations of Turkish Folk Music were shared. Information is given about the music system based on these foundations. | | | 2 | | 2 Definition and general characteristics of Turkish Folk Music, the general character of Turkish Folk Music and the areas it spread, the sources of Turkish Folk Music and the subjects it deals with. | | 3 | | 3 Definition of Turkish and its history, performing sample ballads in simple style | | 4 | | 4 Dictation exercises in 2/4 tempo and quatrain notes, sample folk songs vocalizations | | 5 | | 5 Introduction to the parts of Turkish Folk Music, the definition of Uzun Hava and an overview of its types | | 6 | | 6 Theoretical information about “bozlak and maya”, which are long air types, vocalization of sample long airs, dictation exercises in 2/4 tempo, theoretical information about “hoyrat and expatriate air” from Uzun hava types, and vocalization of sample long airs. | | 7 | | 7 Theoretical information about "divan and lament", which are long air types, and vocalization of sample long airs, Dictation practice, theoretical information about "muszad and tecnis", which is one of the long air types, and vocalization of sample long airs. | | 8 | | 8 Theoretical information and examples about “barak and road air”, which are long types of air, dictation exercises in simple style, dictation practices and examples in 3/4 and 4/4 procedural patterns | | 9 | | 9 Definition of Uzun Hava and Broken Hava and an overview of its types, A general summary of Uzun Hava types and sample folk songs for Uzun Hava types from different regions | | 10 | | 10 Introduction to the non-game types of broken air, theoretical information about "lament, divan, tatyan and breath" and sample songs | | 11 | | 11 Theoretical information and sample ballads about "Beautiful, Yigitleme, Epic and Mutual Folksongs" which are among the types of Kırık air. dictation exercises | | 12 | | 12 Theoretical information and sample songs about “Henna folk songs, Business folk songs and heroic folk songs”, which are the non-gaming types of Kırık Havas. | | 13 | | 13 Theoretical information and sample songs about “lullaby and lullaby” from Kırık Hava genres | | 14 | | 14 Theoretical information and sample ballads, dictation exercises about “Halay and Bar”, one of the play types of Kırık hava. | |
| Recommended or Required Reading | EMNALAR, Atinc; Turkish Folk Music and Theory with All Its Aspects, İzmir, 1998 KAYNAR, Ümit; Turkish Folk Culture and Folk Music, Aegean Publications, Istanbul, 1996 HOŞSU, Mustafa; GTHM Theory, İzmir GAZİMİHAL, M. Ragıp; Anatolian Folk Songs and Our Musical Future, Ötüken Publications, Istanbul, 2006 REINHARD, Kurt-Ursula; Music of Turkey, Sun Publishing House, Ankara, 2007 | Planned Learning Activities and Teaching Methods | | Assessment Methods and Criteria | |
Midterm Examination | 1 | 40 | Self Study | 1 | 30 | Individual Study for Mid term Examination | 1 | 30 | SUM | 100 | |
Final Examination | 1 | 60 | Individual Study for Final Examination | 1 | 40 | SUM | 100 | Term (or Year) Learning Activities | 40 | End Of Term (or Year) Learning Activities | 60 | SUM | 100 |
| Language of Instruction | | Work Placement(s) | |
| Workload Calculation | |
Midterm Examination | 1 | 1 | 1 | Final Examination | 1 | 1 | 1 | Individual Study for Mid term Examination | 1 | 30 | 30 | Individual Study for Final Examination | 1 | 30 | 30 | |
Contribution of Learning Outcomes to Programme Outcomes | | * Contribution Level : 1 Very low 2 Low 3 Medium 4 High 5 Very High |
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Iğdır University, Iğdır / TURKEY • Tel (pbx): +90 476
226 13 14 • e-mail: info@igdir.edu.tr
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